Final Cut Pro Version 7

Posted on 09.12.202022.08.2017by admin

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Before installing a Final Cut Pro X update, verify that your system still meets Final Cut Pro X system requirements. Then make sure to back up your current version of the Final Cut Pro X application and your Final Cut Pro libraries.

New in Final Cut Pro 10.4.6

Released March 21, 2019

Detects media files that may be incompatible with future versions of macOS after Mojave and converts them to a compatible format.
Fixes an issue that could cause share destinations to disappear from the share menu after quitting Final Cut Pro.
Fixes an issue that could cause the workflow extension button to disappear when resizing the interface.
Fixes an issue in which the Select Clip command could incorrectly select the clip beneath the playhead.
Fixes an issue in which a successful share notification appears after the share operation was cancelled.
Fixes an issue in which frames saved to the frame browser in the Comparison Viewer may appear differently than they do in the viewer.
Fixes an issue in which frequency information for Hum Removal may not be visible in the audio inspector.
Fixes an issue in which relinked media may appear with black thumbnails in the browser and timeline.
Fixes an issue in which the share menu may be obscured behind the viewer when using Final Cut Pro in fullscreen mode
Improves reliability when sharing video to YouTube.

Get complete step-by-step how-to instructions and information on all features in Final Cut Pro X. For a list of recent enhancements in Final Cut Pro X, refer to What's New in Final Cut Pro X.

Previous versions

Final Cut Pro 10.4.5

Released January 17, 2019

Improves performance when generating waveforms for clips with no audio channels
Improves stability when sending a project to Compressor using the Shift-Command-E keyboard shortcut
Improves stability when creating or editing titles with Arabic or Hebrew text
Improves stability when switching tabs in the Timeline Index

Get complete step-by-step how-to instructions and information on all features in Final Cut Pro X. For a list of recent enhancements in Final Cut Pro X, refer to What's New in Final Cut Pro X.

Final Cut Pro 10.4.4

Released November 15, 2018

Workflow extensions

Extend the capabilities of Final Cut Pro with third-party extensions that open directly within the app interface
Drag and drop clips between the extension window, browser, and timeline
Connect to existing third-party accounts to access projects, download media, and purchase content
Deep integration allows extensions to control timeline playback, navigation, clip markers, and more
Workflow extensions include tools for collaboration (Frame.io), stock media (Shutterstock), and asset management (CatDV)

Batch share

Export and transcode multiple clips in the browser — with or without a camera lookup table (LUT) — for fast turnaround of dailies and other reviews
Select and export multiple projects
Combine batch sharing with bundles to encode multiple files to multiple formats in one step
Monitor export progress in the background tasks window

Video noise reduction

Apply the high-quality, drag-and-drop noise reduction effect to reduce grain and video noise
Use simple controls to quickly adjust the look and amount of noise reduction
Easily change processing order by dragging the noise reduction effect in the inspector
The viewer shows the noise reduction effect when paused and disables the effect when skimming for optimal performance
Apply 360° noise reduction to 360° video clips while preserving a flawless seam

Timecode window

View project and source timecode in one or more floating timecode windows
Resize the timecode window and drag any one to a second screen
Choose to display clip names and role names
Color coding in the timecode window matches the colors of roles in the timeline

Comparison Viewer

Open the Comparison Viewer to reference other frames for consistent color grading across your project
Quickly select the previous or next clip in the timeline as your reference frame
Save any image to the frame browser to reference it later in the Comparison Viewer

Tiny Planet

Select the Tiny Planet mapping option when adding 360º video to a non-360° project to create interesting spherical looks
Use the roll and tilt parameters to wrap your tiny planet effect into an infinite cylinder
Adjust the pan parameter to move your subject horizontally within the tiny planet
Animate the field of view to transition from a close up to a satellite view flying high above your footage
Give 360° titles and generators a powerfully warped look by applying the Tiny Planet mapping option

Other new features

View, edit, and deliver closed captions in the SRT format, which is used by a wide range of websites including Facebook
Choose to burn closed captions into your video to ensure they appear at all times during playback
When dragging in the timeline to select a secondary storyline, you can now select individual clips or the entire secondary storyline
Instantly turn any photo or video into a comic book illustration using Comic filter then refine the comic book look with simple controls to adjust ink edges, fill, and smoothness
New 360° transitions include Gaussian Blur, Bloom, and a collection of wipes to seamlessly transition from one 360º clip to another
Typing the first few letters of a font name jumps directly to the font in the list

Final Cut Pro 10.4.4 also includes the following:

360° video

360° clips added to equirectangular projects display correctly in auditions
Fixes an issue where clicking the delete keyframe button when adjusting orientation incorrectly added a keyframe
Fixes an issue where the keyframe navigation buttons disappear while adjusting orientation
Resetting the orientation when using a VR headset correctly resets the Y axis
Option dragging a connected 360º clip maintains orientation
Dragging the orientation tool vertically in the Viewer using the on screen controls works correctly
Adding equirectangular media to a connected storyline that contains 360° video media remains equirectangular

Audio

Volume control is adjustable for a selected, connected clip
Audio playback continues when resetting the peak indicators
Audio playback continues when changing pan mode on an audio component
Changing audio configuration of a clip properly clears any soloed audio components
Fixes an issue where disabling and reenabling audio channels when previewing an audio effect in the effects browser caused audio to be inaudible
Fixes an issue where audio meters of third-party audio plug-ins became unresponsive when changing the order of audio effects in the Audio inspector

Closed Captions

Fixes an issue where disabling an invalid caption would hide other captions in the Viewer
Embedded captions in shared files now display as expected in QuickTime Player 7
Extract Captions from detached audio clips with embedded captions functions as expected
Fixes an issue where the position of an ITT caption was not being saved when set as default
Fixes an issue where captions couldn’t be embedded when connected to secondary storylines
Fixes an issue where clicking on a CEA-608 caption near the end of a project caused Final Cut Pro to stop saving changes
Captions can be double-clicked in the caption index to open them in the Caption editor in the timeline
Caption timing is honored when copying and pasting captions between projects
Fixes an issue where Lane Headers unexpectedly move when selecting a caption and scrolling vertically

Color Correction

Fixes an issue where the display order of LUTs after import were appearing alphabetically based on the content of folders
Color Wheels accurately reflect the values set when using the color picker to choose a color
Fixes an issue where duplicate sets of built-in color presets were sometimes visible in the Effects browser
Reference level line in the waveform monitor remains locked in place until you click to move it or drag it out of the waveform monitor display to remove it
Color, Saturation, and Brightness controls under the color wheels can be reset individually within the Master, Shadows, Midtones, and Highlights controls
Fixes an issue where 10-bit HEVC rec.2020 HLG media in a Wide Gamut library would cause Final Cut Pro to quit unexpectedly
Fixes an issue when manually white-balancing a 50fps HDR clip in an HDR library and project would cause Final Cut Pro to quit unexpectedly

Effects

Option clicking an audio effects preset opens all controls for each individual effect in the preset

Multicam

Fixes an issue where color correcting an angle in the angle editor would cause the playhead to move unexpectedly to the beginning of the timeline

Roles

Select All no longer selects secondary storylines and toggles selection of components based on role of clip in selection

Timeline

Selected connected clips now properly follow the pointer and get placed where positioned in a non-zero starting project timeline
Fixes an issue where an audio only clip in a connected story line plays video frames from the source clip that the audio is attached to
Option-selecting connected clips now properly duplicates the expected clips in a non-zero starting project timeline
Fixes an issue where connecting clips to a primary storyline draws overlapping audio components in expanded lanes
Double clicking to add an effect adds it to the top clip at the playhead position
Join Clips and Join Captions combined into a single command in the Command Editor

Titles

Core Text engine ensures accurate display of Arabic letters, Indic vowel signs in Devanagari and Thai diacritics

XML

Shape and Effect Mask values properly transfer via XML

Final Cut Pro 10.4.3

Support for viewing and editing ProRes RAW files from DJI Inspire 2 drone with the DJI D-Log setting
Fixes an issue where some 25 fps-interlaced MXF files may display incorrectly
Fixes an issue in which using Option-drag to duplicate clips in the timeline could move them later in the timeline
Fixes an issue that caused some Panasonic P2 video files to be imported with mixed-down audio channels
Fixes an issue in which English keyboard shortcuts were incorrectly applied to other languages
Exported audio with certain plug-ins applied plays correctly
Deleting unused render files from a Compound clip in the browser works correctly

Final Cut Pro 10.4.2

Fixes an issue in which selecting multiple clips using the Shift key or marquee selection could inadvertently select other clips in the timeline
Fixes an issue in which XML import may not preserve color effect and color board settings
Dragging events between libraries no longer uses XML and correctly copies all settings and media
Removes unnecessary settings that were included in XML 1.7 export

Final Cut Pro 10.4.1

Closed Captions

Import caption files into a Final Cut Pro project to automatically create time-synced, connected captions in the timeline
See captions directly in the Viewer
Use the Inspector to adjust text, color, onscreen location, and timing
Create captions in multiple languages and formats in the same timeline
Use the new Captions tab in the Timeline Index to search text, select captions, and quickly switch between different versions of your captions
Attach captions to audio or video clips in the timeline
Extract embedded captions from video to view and edit the captions directly in Final Cut Pro
Send your project to Compressor in a single step, making it easy to create a compliant iTunes Store package with audio and video files, captions, and subtitles
Validation indicator instantly warns about common errors including caption overlaps, incorrect characters, invalid formatting, and more
Embed captions in an exported video file or create a separate caption sidecar file
Share captioned videos directly to YouTube and Vimeo
Support for CEA-608 and iTT closed caption formats

ProRes RAW

Support for ProRes RAW files lets you import, edit, and grade using pristine RAW image data from the camera sensor
RAW image data provides ultimate flexibility when adjusting highlights and shadows — ideal for HDR workflows
Enjoy smooth playback and real-time editing on laptop and desktop Mac computers
Highly efficient encoding reduces the size of ProRes RAW files, allowing you to fit more footage on camera cards and storage drives
ProRes RAW preserves more of the original image data, making it an ideal format for archiving
Work natively with ProRes RAW or ProRes RAW HQ files created by ATOMOS recorders and DJI Inspire 2 drone

Enhanced export

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The new Roles tab in the share pane displays title, video, and audio roles in a single, consolidated interface
Quickly view and choose roles to be included in exported video files
Roles settings and enabled/disabled states from the timeline are carried through to the share pane
Embed closed captions in a video file or export a separate captions sidecar file in CEA-608 and iTT formats

Final Cut Pro 10.4.1 also includes the following:

360 VR

Changing 360° metadata from rectilinear to equirectangular displays the clip’s correct orientation
360° Viewer has a new keyboard shortcut to reset field of view: Control + Option + Command + Delete
Command Editor function of “Reset Point of View” is now listed correctly as “Reset Angle”
VR headset drop frame warning preferences are honored with a VR headset connected
Stray pixels are no longer visible in high contrast regions of a frame

Accessibility

It is easier to create custom project sizes when using accessibility applications as accessibility width and height labels have been added for project properties

Audio

Volume automation is retained after a retiming effect is applied
Quicker display of custom audio effects interface from the audio Inspector tab when using Final Cut Pro in German
Correct parameters are displayed in the Inspector when viewing a duplicate audio effect

Browser

Text in the notes field of the Inspector is saved automatically
Text entered into the notes field in list view in the Browser displays in the Inspector
Project thumbnails load correctly when the system is connected to an HDMI display

Color Correction

Color wheel sliders retain values at 100 IRE for white and 0 IRE for black, with the ability to move above and below using color correction controls
Color board exposure parameters are consistent for Rec. 2020 PQ projects
Keyframes are properly maintained when copying and pasting color wheel effects
Custom white balance values are pasted correctly in Rec. 2020 HDR libraries
View Masks selection displays the mask in the Viewer before color grading parameters are changed

Effects

Camera LUT is applied correctly to de-interlaced media
Fixes an issue in which the playhead jumps to a transition when adjusting the Ken Burns effect
Fixes an issue where the Viewer displays black when adjusting a crop or Ken Burns effect using on-screen controls in an Audition clip
Fixes an issue where Replicator edges appeared corrupt when exporting or rendering from projects set to Rec. 2020 HLG color space
Undo works correctly after a Luma Keyer effect is applied
Fixes an issue where a blade edit could reset an effect checkbox

Formats

MXF Item Signal Standard is set to correct values for AVC Intra, DVCPRO HD, and Uncompressed HD
Fixes an issue where spanned Canon C300 clips are imported as multiple clips
Clips over 4GB on FAT32 media cards including Sony and JVC source files are represented as one clip in the Import window and also honor the recorded start and stop points
Fixes an issue where certain Sony SxS cards with large files would cause Final Cut Pro to quit unexpectedly
XAVC/XDCAM plug-in returns the correct timecode values for BPAV file types
Improved performance when stabilizing RED RAW files on iMac Pro
Fixes an issue where the folder structure for the Panasonic AU-EVA1 is not recognized
Loading spanned JVC XDCAM clips no longer causes Final Cut Pro to quit unexpectedly
Failures while Sharing with AVCHD media now displays the corrupt filename in the error dialog for easier troubleshooting
Fixes an issue where, with multiple camera volumes mounted in the Import window, skimming in Filmstrip view displayed the incorrect clip

General

Changing media storage locations from one location to another then back again on NFS storage updates the media links correctly
After typing text into an Inspector metadata field, entering text into a second text field works correctly
Relink Files button highlights after selection, allowing you to press Enter to commit the command
Screen recordings created using QuickTime Player in French or Spanish apply retiming effects correctly when imported into Final Cut Pro
Find People and Create Smart Collections After Analysis works correctly
Fixes an issue where PSDs with an alpha from Pixelmator appeared cropped in the Viewer

Multicam

Fixes an issue where switching between video scopes and the Angle Viewer or the 360° Viewer causes the Angle Viewer to display incorrectly
Fixes an issue where spatial conform causes Multicam clip angles to display incorrectly in the Angle Viewer

Optical Flow

Last frame of 100% reversed clip with optical flow retiming renders correctly
Optical flow retiming renders correctly on clips with audio that is longer than video
Reversed clips with optical flow applied now render in the timeline without requiring analysis on the entire source clip

Rendering

Render bars appear correctly on 29.97i (60 field) clip in a 30p project
Background rendering works correctly on 29.97i (60 field) clip in a 30p project

29.97i (60 field) clips in a 30p project export correctly
YouTube “Visit” and “Tell a Friend” buttons open video URL correctly

Stability and reliability

Fixes an issue in which resetting a gradient control could cause Final Cut Pro to quit unexpectedly
Fixes an issue in which quickly switching back and forth between View > Layouts then selecting a color picker could cause Final Cut Pro to quit unexpectedly
Fixes an issue in which initiating an undo action after re-arranging roles in the timeline index could Final Cut Pro to quit unexpectedly
Improves stability when lifting two adjacent transitions from a Storyline
Improves stability when skimming over or importing a corrupted MXF (MPEG-4) file
Improves stability when importing a PSD file created in Pixelmator
Improves stability when inserting a SxS card into a Sony SxS USB card reader
Fixes an occasional hang after adding a title, relaunching Final Cut Pro, and then modifying parameters

Text

On screen controls for text in the Viewer are more responsive and properly sync with the Inspector

Timeline

Timecode display no longer skips timecode or frames during processor intensive tasks
Rename Clip in the timeline applies to all selected clips

XML

Color Balance effect now properly round trips via XML in HDR Libraries
Final Cut Pro no longer considers the part of the library name after a period “.” specified as the library location import option in FCPXML as a file extension

Final Cut Pro 10.4

360 VR editing

Import and edit 360° equirectangular video in a wide range of formats and frame sizes
Output 360° video to a connected VR headset¹
Open the 360° viewer to simultaneously monitor headset and equirectangular views while editing
Option to track movement of a VR headset in the 360° viewer in Final Cut Pro
Add 360° effects including blurs, glows, and more
Share 360° video directly to YouTube, Facebook, and Vimeo
Use the 360° patch to instantly remove cameras and rigs from the scene
Use the Horizon overlay to easily change the orientation of 360° video right in the viewer
Edit 360° video into a non-360° project and animate the pan, tilt, and zoom
Place any graphic, still, or video into a 360° project, then reposition and resize to fit perfectly into the 360° scene
Support for monoscopic and stereoscopic 360° video

Advanced color grading

Dedicated color tab in the inspector provides one location for all color controls
Powerful new color wheels improve upon traditional wheels with integrated sliders to adjust hue, saturation, and brightness
Color curves enable ultra-fine adjustments using multiple control points to change color and contrast
Hue/saturation curves let you select a specific hue or brightness level to make adjustments while leaving other parts of the image unchanged
Use the eye dropper in the color and hue/saturation curves to quickly sample parts of an image for adjustment
Balance Color command includes an eye dropper for manual white balance
Apply custom LUTs from popular color grading apps and sites
Adjust color corrections over time with precise keyframe controls
Speed through color correction using new keyboard shortcuts for color adjustments and role-based timeline navigation
Color presets are now located in the effects browser for skimmable preview and fast search

High Dynamic Range

Import, grade, and deliver High Dynamic Range (HDR) video as Rec. 2020 HLG or Rec. 2020 PQ for HDR10
Output video to third-party HDR monitors using third-party I/O devices
Built-in waveform monitor indicates HDR brightness levels up to 10,000 nits
HDR Tools effect lets you easily tone map HDR to Standard Dynamic Range (SDR) output as well as convert between PQ and HLG formats
Option to view HDR as raw values when working without an HDR monitor

Additional features

Import your iMovie for iOS project directly into Final Cut Pro for advanced editing, audio work, and finishing
Import, playback, and editing of High Efficiency Video Coding (HEVC, also known as H.265) video clips and High Efficiency Image Format (HEIF) photos from Apple devices²
Send to Compressor to export video projects in the HEVC format
Adjust audio using effects plug-ins from Logic Pro X with redesigned, resizable interfaces
Support for Canon Cinema RAW Light format with additional software from Canon
Faster Optical Flow analysis using Metal 2
Support for NFS-based libraries and media
XML 1.7 with support for new color grading controls, 360 VR effects, and HDR

1 Requires compatible VR headset, macOS High Sierra, and SteamVR. Video output to VR headset requires a Mac computer with discrete graphics running macOS High Sierra. 27-inch iMac with Radeon Pro 580 graphics recommended.

2 HEVC and HEIF support requires macOS High Sierra.

Issues addressed in Final Cut Pro 10.4:

Support for importing and exporting WAV files greater than 4GB as RF64 when using macOS High Sierra 10.13
Fixes a stability issue that could occur when using Final Cut Pro on macOS High Sierra with a laptop in closed-display mode and attached to an external monitor
Fixes an issue in which text in the Browser in List mode could occasionally disappear
Enabling transform, crop, or distort no longer closes Video Scopes
Third-party asset management systems can now send low-resolution media to Final Cut Pro through XML import and later replace those low resolution files with full resolution files through another XML import
Glue Tools Phantom Cine Toolkit works correctly with Phantom high speed camera “Cine” files when editing in Final Cut Pro
Support for new YouTube authentication protocols
Contextual menu option to create a new project from a selection of one or more clips in the Browser
Ability to use key commands in full screen mode when the Viewer is on a second display
Alert dialog appears when sharing a file if playback mode is set to proxy
Square pixel photos at 960 x 720 and 1440 x 1080 resolutions no longer appear distorted
The Toggle Fade In and Toggle Fade Out commands now appear under the Adjust Volume menu
Press Ctrl-Tab to cycle through tabs in the Inspector when the Inspector is selected

Final Cut Pro 10.3.4

Resolves a stability issue when using keyboard shortcuts to trim in Secondary Storylines
Fixes an issue in which certain editing operations could create an extra audio fade in
Fixes an issue in which the Share dialog could incorrectly display a codec warning

Final Cut Pro 10.3.3

Ability to expand the width of the Inspector to view and adjust effect parameters
Fixes issues with updating older libraries
Faster redraw of audio waveforms when using clips that are being imported while recorded to disk
Diamond icon in the Timeline Index to show when the user has modified display of roles in the timeline
More color options in the Role Editor
Reveal in Browser correctly displays the location of the original clip in the browser
Support for Canon Log 3 and Sony S-Log3/S-Gamut3 log processing
Resolves an issue in which the viewer could occasionally disappear when exiting full screen
Resolves issues in which Share to DVD could become unresponsive
Improves font quality of DVD menu and chapter titles
Improves image quality when creating a DVD
Enhanced DVD User dialog messages with embedded links to documentation

Final Cut Pro 10.3.2

Ability to add custom folders of audio files to the Sound Effects browser
Using ripple delete on audio-only clips no longer disables the selected range
Audio meters retain custom width after relaunch
Improves responsiveness when editing very long projects
Improves performance when exporting H.264 files and changing frame rate
Exporting ProRes 4444 files with transparency using Compressor creates a correct alpha channel
Fixes an issue in which adjusting the line spacing of multi-line titles only applied to the first line
Fixes an issue in which secondary storylines with mixed roles could overlap in the timeline
Fixes an issue that could prevent burning Final Cut Pro projects to DVD via Apple USB SuperDrive

Final Cut Pro 10.3.1

Fixes an issue with cropped images in the Viewer when the Language & Region System Preference is set to Spanish
Fixes issues with updating libraries
Fixes an issue when using Paste Attributes to copy color correction between clips

Final Cut Pro 10.3

New Interface

Redesigned dark interface puts the focus on your video
Configure window layouts into custom workspaces for tasks like organizing and color grading
Fill a second display with the Timeline or hide the Timeline completely
Expand the Inspector to full-screen height

Magnetic Timeline 2

Color coding of clips based on roles such as dialogue, music, and effects lets you understand your project at a glance
Create, assign, and customize the colors of roles to identify different types of audio and video clips
Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your Timeline
Focus button in the Timeline Index lets you highlight specific audio roles and collapse all others
Show Audio Lanes button in the Timeline Index displays a structured Timeline layout with dedicated spaces for each audio role
Add audio effects and keyframe audio volume changes to an entire role within a Compound Clip
iXML support enables automatic creation and assignment of roles based on metadata from an audio field recorder
Custom Roles assignment can be combined with iXML metadata during import
Create and manage a unique set of roles for each Final Cut Pro library

Wide Color

Images are now viewable in wide color on supported Mac computers and external displays
Import, edit, and deliver video in standard Rec. 601 and Rec. 709 color spaces, or in wide Rec. 2020 color space
Configure color spaces for both libraries and projects
Log footage from ARRI, Blackmagic Design, Canon, Panasonic, and Sony cameras, as well as RED RAW footage, can be manipulated in real time while preserving wide color
Range check overlay in the viewer highlights areas out of the standard RGB range
Video scopes display wide color in real time

Support for the Touch Bar on MacBook Pro

Tap to execute common functions like volume control, fade in and out, and media import
Easily access advanced editing commands, including Override Clip Connections, Trim to Start, and Trim to End
View your entire project at a glance and navigate with touch in the timeline overview

More Video Formats

MXF-wrapped Apple ProRes provides a flexible new format for broadcast delivery
MXF master file export uses audio roles to configure industry-standard channel layouts
Support for Canon Log2/Cinema Gamut and Panasonic V-Log
Support for Sony XAVC-L at 4K for the Sony PXW-FS7 and PXW-X70 cameras
Export AVC-Intra files

Additional Features

Flow transition seamlessly merges jump cuts to remove pauses or mistakes in on-camera interviews
Remove Effects and Remove Attributes commands let you delete specific effects from clips
SMB 3 network support enables library access on network-attached storage devices
Timecode effect displays clip name and source clip timecode in the Viewer and in exported files
Copy and paste timecode to speed up numerical entry from text documents
Consolidate custom Motion projects into individual Final Cut Pro libraries
Option for continuous playback of clips in the Browser
Search custom metadata in the Browser and Timeline
Search Timeline Index for Auditions, compound clips, multicam clips, and synchronized clips
Ability to roll trim on adjacent connected clips
Larger Media and Content browsers provide more space for viewing photo libraries, sound effects, music, titles, and generators
Skim and select ranges of audio files in the Music and Sound Effects browser
Use a Mini DisplayPort or HDMI cable for direct AV output to an external display at standard video resolutions
XML 1.6 supports role-based audio components for Magnetic Timeline 2
Enhanced XML support lets you import projects and clips into existing events
Ability to drag and drop clips, projects, and events as XML with supported applications
Ability to export a library an XML file from Final Cut Pro via drag and drop
Option-click a component in the Audio Inspector to select that component while simultaneously disabling all other components
Disable an audio component in the Timeline by selecting it and pressing Delete
Press Command–Up Arrow or Command–Down Arrow to select and navigate clips vertically in the Timeline
When you open a Multicam clip in the Angle editor, Final Cut Pro now positions the playhead on the same frame you were viewing in the original Timeline
Ability to move subroles between roles and merge subroles with other subroles in the Edit Roles window
Batch relink from RED R3D files to QuickTime proxy files and back to the original R3D files instead of relinking one file at a time
Change the height of clips in the Timeline using keyboard shortcuts Command–Shift–Plus sign (+) or Command–Shift–Minus sign (-)
Synchronized clips now display a distinctive badge to easily identify them in the browser and Timeline
Customizable keyboard shortcuts for adding audio fades
New preference to assign default fade duration when adding audio fades via keyboard shortcut
The Overwrite Edit function is now the fourth Edit Mode button in the top-left corner of the Timeline alongside Connect, Insert, and Append
Align Audio to Video function quickly resets J or L cuts in the Timeline to straight cuts
Launching Final Cut Pro by double-clicking a library in Finder bypasses the Open Libraries window
New Broadcast Safe Effect allows you to limit video levels to a specific color space including Rec. 601 PAL and NTSC, Rec. 709, and Rec. 2020
XML export of multicam clips now preserves the Angle ID which greatly improves integration with asset management systems
Camera angle, camera name, and reel fields are now searchable using the text search function in the Browser
Final Cut Pro now correctly recognizes and displays variable frame rates in the browser column when shooting XAVC-Long G with the Sony PXW-X70 camera
When importing from a camera card with mixed media such as stills and video, the Import window displays a single volume
Audio effects have a global enable/disable button in the Inspector like video effects
After upgrading a library to Final Cut Pro version 10.3, you can now reveal and utilize any original iXML metadata on audio clips by selecting the clip and re-applying the role
Support for 10-bit uncompressed MXF with standard definition video
Support for exporting 16-bit TIFF sequences from both Final Cut Pro and Compressor
Choose Metadata Views in the Inspector for DPP Editorial/Services and DPP Media which can be used when delivering Digital Production Partnership AS-11 master program files
New column in the Import window for Color Profile, so you can view and select clips for import based on color space
Users can now create and save a custom default Generator, Title, and Lower Third Title which can then be added to a Timeline with keyboard shortcuts
Audio metering works when previewing an audio source in the Music and Sound Effects Media Browser
Timecode and audio meters are now displayed in the Event Viewer
An arrow cursor has been added as a new option for the Shapes generator

Issues addressed in Final Cut Pro 10.3:

Optical Flow on retimed clips with an alpha channel no longer causes transparent areas to become briefly opaque
Resolves an issue in which lines are displayed across the timecode window on macOS Sierra
In List View in the browser, audio waveforms now scale correctly to the width of the filmstrip
Synchronized clips now correctly roundtrip through XML export and import
If you use Replace function to replace a clip in the Timeline that has keywords and notes with a new clip that does not, the keywords and notes no longer remain in the Timeline Index
Resolves an issue that could cause the Create Disc sharing option to hang on macOS Sierra
Toggling between List View and Filmstrip View does not change the clip selection in List View
Audio levels remain consistent when trimming an Audition during playback
After resetting volume in Inspector, new fade handles are not set to Linear
When launching Final Cut Pro with no libraries loaded, the app will remain open even if you decline to upgrade a library
Zoom in the viewer works correctly after full-screen playback
After XML import, 4K Synchronized clips now correctly appear as 4K
Generators with shape masks export at the correct size
After using the Share to Apple Devices 1080p option, the file information in iTunes no longer displays 'SD' 1080
Video-only export does not send audio out when you export a second time
You can now exit full screen playback when editing control points on a Draw Mask
The Draw Mask effect works correctly when added to a clip in a Multicam angle
You can now continuously move the Color Correction pucks with the arrow keys
Resolves an issue where Color Balance could cause some Multicam Clips to turn white
Fixes an issue where Log processing could remain on a clip even when 'None' is selected in the Inspector
Color Masks work on clips with Log processing applied
Support for color correcting Photoshop layers
Improved accuracy when subtracting colors from inside a Color Mask
Match Color and Balance Color can be copied and pasted to other clips using the Paste Attributes function
Title guide snapping now works correctly
Fixes an issue where the Basic Lower Third title could revert back to the original type style and not retain user changes after re-launching Final Cut Pro

Final Cut Pro 10.2.3

Customizable Default Effect lets you choose both a video and audio effect that is assigned to a keyboard shortcut
4K export preset to create video files for Apple devices
Improves speed when opening libraries on a SAN
Resolves an issue that could affect the timecode display in the Dashboard on OS X El Capitan
Import Canon XF-AVC including video files from the Canon C300 Mark II
Ability to share video to multiple YouTube accounts
Resolves an issue in which a disabled video effect could appear as Missing Effect when opening the project or when sharing to Compressor
Addresses an issue in which black frames could appear in imported iPhone video clips that were trimmed on iPhone
Fixes an issue that could cause the playhead to jump ahead when editing short titles
Fixes an issue that could cause the timeline to stop playback when switching views in the Browser
Fixes an issue in which points on a Bezier shape could incorrectly switch from Linear to Smooth
Fixes an issue in which some objects within Motion templates render with soft edges
Adds iPhone 6s, iPhone 6s Plus, iPad Pro, and Apple TV HD to the Apple Devices compatibility list in the Share window

Final Cut Pro 10.2.2

Native support for Sony XAVC-L and Panasonic AVC-Intra 4:4:4 up to 4K resolution
Import Canon XF-AVC 8-bit video files with Canon plug-in
Export interlaced H.264 video
Asset management systems can include a library backup file when sharing from Final Cut Pro
Fixes render errors that could occur when using reflective materials with 3D text
Improves stability when swapping materials on 3D text with published parameters
Improves performance when loading text styles
Motion Title templates with published text layout parameters now export correctly
Fixes an issue that could cause 3D text to appear dark when rendered
Addresses issues with timing on certain animated effects

Final Cut Pro 10.2.1

Restores support for Panasonic AVCCAM video at 25p and 30p
Improves accuracy when dragging to select a range in the Timeline
Fixes an issue that may cause Final Cut Pro to quit on launch

Final Cut Pro 10.2

There are only two programmable buttons on the thumb side of the mouse, and they feel a little cheap. Bloody v7 mouse driver. Its sharper lines are attractive and scream for attention. The other three added buttons, which change functionality based the selected “core” — more on that later in the review — are in a vertical column directly below the scroll wheel. The overall design is also notably sleeker than the Logitech mice I’ve been comparing it to. In addition, the lights illuminating the scroll wheel and a throbbing, bloody handprint on its lower half — in stark contrast to the black of the mouse — make it hard not to look at.But it’s not without its share of blemishes.

Introducing 3D titles

Beautifully animated and easily customizable 3D text
Simple templates to get started quickly
Cinematic templates with built-in backgrounds and animations
Large collection of text styles to create stunning looks with one click
Customize your titles with hundreds of combinations of materials, lighting, and edges
Additional controls to adjust environment, shadows, and more
Instantly convert 2D titles to 3D
Open any title in Motion to add multiple lights, cameras, and tracking

Advanced effects

Display up to four video scopes simultaneously
Apply super ellipse Shape Mask to any clip
Apply Draw mask to any clip, with options for linear, bezier, or B-spline smoothing
New shape and color mask controls for every effect
Instantly display the alpha channel for any effect mask
Save custom effects as presets for quick access
Color Board merged into the new Color Correction effect
Rearrange the processing order of the Color Correction effect
Improved keyframing with better motion smoothing
Improved optical flow for beautiful slow motion on a wider range of content
Better performance of FxPlug plug-ins and built-in effects that use multiple frames like Visual Echo and Trails

Camera formats

Support for Panasonic AVC-Ultra codec family
Support for Sony XAVC S format
Import Sony XAVC and XDCAM formats without separate plug-in
Support for JVC H.264 Long GOP format
GPU-accelerated RED RAW processing with support for dual GPUs
Support for RED RAW anamorphic formats

Additional features

You can now use Smart Collections at the event and library level
Import window consolidates all options into a single sidebar
GPU rendering when using Send To Compressor with support for dual GPUs
CABAC entropy mode for multi-pass encoding
XML 1.5 for third-party interchange. For legacy third-party applications, XML 1.4 continues to be supported

Final Cut Pro 10.2 also includes the following:

Faster drawing of audio waveforms which improves performance especially when editing over a network
Transform controls work correctly with photos in a secondary storyline
Resizable Filter window for searching
Freeze frames copy media across multiple libraries
Slo-mo video clips from iPhone appear in the Browser with a badge
Full-screen playback does not automatically superimpose transport controls
Improved performance when skimming Long GOP video including AVCHD
Exporting a Master File using i-Frame codecs like ProRes can play in QuickTime Player before the export completes
Support for XAVC S video recorded at 120 fps and 240 fps
MXF-wrapped AVC-Intra and Uncompressed files export faster

Final Cut Pro 10.1.4

Native MXF import, edit, and export with the Pro Video Formats 2.0 software update
Option to export AVC-Intra MXF files
Support for import and editing with Panasonic AVC-LongG media
Fixes issues with automatic library backups
Fixes an issue where clips with certain frame rates from Canon and Sanyo cameras would not import properly
Resolves issues that could interrupt long imports with App Nap enabled
Stabilization and Rolling Shutter reduction works correctly with 240fps video

Final Cut Pro 10.1.3

Fixes reliability issues when burning a Blu-ray Disc or creating a Blu-ray disk image
Color corrections you paste between clips are retained during Share
Effects you apply to clips in the browser in prior versions of the app are retained when adding those clips to the timeline
XML round-trip imports correctly when using gap clips
Improves reliability of automatic library backups
Improves stability when skimming growing files in the Browser

Final Cut Pro 10.1.2

Optimized, proxy, and rendered media can be stored at any location outside of the library
View and set storage locations for each of your libraries using the Library Properties inspector
Easily delete optimized, proxy, and rendered media from within Final Cut Pro
Used media indicators for Compound, Multicam, and Synced clips
Option to show only unused media in the Browser
Apply a standard (Rec. 709) look in real time to high dynamic range and wide color gamut video from ARRI, Blackmagic Design, Canon, and Sony cameras
Automatically apply an ARRI embedded 3D LUT from the new AMIRA camera
Support for Apple ProRes 4444 XQ
Improved speed and accuracy when synchronizing clips
Audio recording improvements including countdown and automatic Audition creation from multiple takes
Fast export of cuts-only projects containing XDCAM media
Export entire library as a single XML file
Selecting a library displays key metadata in the Inspector
Adjust relative and absolute volume of a clip or range selection
Create keywords from Finder Tags when importing media
Option to sort events by date or name in the Libraries list
Import a clip by dragging directly into the Browser
Share 4K video to Vimeo

Final Cut Pro 10.1.2 also addresses the following issues

Faster opening, closing, copying, and overall performance when working with large libraries
Linear and smooth motion interpolation between keyframes applies to both time and distance

Final Cut Pro 10.1.1

Preserves media files if an external drive or network is disconnected while consolidating a library
Resolves an issue with loading audio content in the Music and Sound Browser
Fixes a stability issue when applying a Motion effect with Scroll Text behavior
Faster switching between proxy media and original or optimized media
Improves Timeline responsiveness with very large projects

Final Cut Pro 10.1

Final Cut Pro 7 Download For Mac

Optimized playback and rendering using dual GPUs in the new Mac Pro
Video monitoring up to 4K via Thunderbolt 2 and HDMI on select Mac computers
4K content including titles, transitions, and generators
Libraries allow you to gather multiple events and projects within a single bundle
Easily open and close individual libraries to load just the material you need
Option to import camera media to locations inside or outside of a library
Automatically back up libraries to a user-specified drive or network location
Project Snapshots let you quickly capture the project state for fast versioning
Audio fade handles on individual audio channels in the timeline
Add precise retime speeds by entering them numerically in the timeline
Non-rippling retime option
One step Replace and retime
Custom project frame sizes
Through edits displayed on all clip types
Join Through Edit command removes bladed cuts to clips in the timeline
Detach audio with Multicam clips in the timeline to manipulate audio and video separately
Make video- or audio-only edits into the timeline with Multicam Clips as sources
Blade and move audio in J- and L-cuts
Ability to roll audio with J- and L-cut splits open
Option to hide the Event browser to gain more screen space for viewing
Native support for .MTS and .MT2S files from AVCHD cameras
Used media indicators on source clips
Improved performance with large projects
Improved performance when modifying or adding keywords to many clips at once
Easily move, copy, and paste multiple keyframes
Option for the linear animation with Ken Burns effect
Improved image stabilization with InertiaCam and Tripod mode
Import photos from iOS devices
Proxy and playback quality controls accessible in Viewer menu
Support for portrait/landscape metadata in still images
Effects parameters, fonts, and text size included in XML metadata
Improved support for growing media and edit while ingest
API for custom Share operations using third-party software
FxPlug 3 with custom plug-in interfaces and dual-GPU support
Share directly to YouTube at 4K resolution
Share directly to Chinese video sites Youku and Tudou
Spanish language localization

Final Cut Pro 10.1 also improves overall stability and performance, and addresses the following issues:

Loading a library from a SAN is significantly faster
You can eject drives after the libraries on those drives are closed
It is much easier to move clips with transitions in the timeline and lift them out of the Primary Storyline with transitions preserved
Clips can be trimmed completely out of a timeline when using the rolling trim function
Media management functions can be cancelled with undo
Quitting the application cancels background processes
5.1 surround sound audio originating from a camera as AVCHD will no longer be down mixed to stereo during import
If you have transcoded RED RAW files to ProRes through a third-party application, you can relink to the original RED files within Final Cut Pro
Transform correctly maintains linear motion on all keyframes

Final Cut Pro 10.0.9

Addresses issues resulting in green artifacts when using Sony XAVC media
Fixes several issues related to interlaced media and retimed segments which could cause exports to not complete
Includes stability improvements

Final Cut Pro 10.0.8

Support for Sony XAVC codec up to 4K resolution
Option to display ProRes Log C files from ARRI ALEXA cameras with standard Rec. 709 color and contrast levels
Resolves an issue where some third-party effects generated green frames during render
Resolves performance issues that could occur with certain titles and effects
Time reversed clips render in the background
Ability to use key commands to adjust Clip Appearance settings in the timeline
Ability to view reel number metadata located in the timecode track of video files
Mono audio files in a surround project export with correct volume levels
Drop zones no longer reset to the first frame of video after application restart
Fixes a performance issue which resulted from selecting multiple ranges on a single clip
Fixes an issue where the Play Around function did not work properly on certain clips when viewed through external video devices

Final Cut Pro 10.0.7

The Letterbox effect 'Offset' slider is restored
Fixes an issue that could occur when creating a single layer DVD
Fixes an issue in which some third-party effects could cause Final Cut Pro to stop responding during background rendering
Fixes an issue in which some third-party transitions would incorrectly use black instead of source media
Adds support for editing MXF files that are still ingesting
Fixes an issue with rendering Motion Templates containing Image Units
Fixes an issue with the display of the Modify RED RAW settings button in synchronized and compound clips
Fixes an issue with the upload of clips that are larger than 1 GB to Vimeo
Fixes an issue in which an incorrect frame size is used with filters on two adjacent clips with different pixel aspect ratio

Final Cut Pro 10.0.6

Expand multichannel audio files directly in the timeline for precise editing of individual audio channels
Unified import window provides single interface for transferring media from file-based cameras, networks, and folders of files. Choose between Filmstrip and List views for browsing media, and save frequently used locations to the Favorites sidebar for fast access
Redesigned Share interface for streamlined exporting. Deliver to multiple destinations in one step by creating a custom Bundle.
Export a selected range in the Event Browser or the project timeline
RED camera support with native REDCODE RAW editing up to 5K and optional transcode to Apple ProRes 4444 or ProRes Proxy. Ability to adjust RAW images with debayer controls directly in Final Cut Pro
MXF plug-in support that allows you to work natively with MXF files from import through delivery using third-party plug-ins. This is ideal for importing archived media with custom metadata and exporting media with metadata to an asset management system.
Dual viewers, each with a video scope display, let you compare shots to match action and color. Scopes include a vertical layout option so they can be displayed below the Viewer and the Event Viewer
Ability to add chapter markers in the timeline for export to video files, DVD, and Blu-ray disc, with an option for setting custom poster frames
Range selection now preserves start and end points on clips in the Event Browser. Use the Command key to create multiple range selections, even on a single clip
Paste attributes window lets you choose specific effects to copy between clips
Flexible Clip Connections allow you to keep Connected Clips in place by pressing the ` key when slipping, sliding or moving clips in the Primary Storyline
Add a freeze frame to your timeline with a single keystroke (Option-F)
Apply a drop shadow effect with intuitive onscreen controls to adjust position, edge falloff, angle, and more
Combine audio from different angles within a Multicam Clip (Command-Option-click in the Angle Viewer)
Compound Clip creation in the timeline now saves the clip in the Event Browser for re-use in other projects. Changes to the original Compound Clip will update all copies of that Compound Clip across projects. The Reference New Parent Clip command allows you to select any Compound Clip in the timeline and save a duplicate to an event in a single step
XML 1.2 features improved metadata import and export for richer integration with third-party app
Blade All command allows the blade tool to cut across all storylines and connected clips in a single click. Press Shift while blading to blade all
Select a new default transition by Control-clicking on the thumbnail in the Transitions Browser and choosing Make Default. The default transition can be applied to any clip by pressing Command-T

Final Cut Pro 10.0.6 improves overall stability and performance, and adds these fixes:

Background Rendering uses the GPU on the graphics card, enabling CPU-based processes like transcoding and proxy creation to continue uninterrupted while effects are rendering
Loop Play with Play Selection enabled will continuously loop playback while making adjustments in the Inspector
DSLRs and other cameras that use the Picture Transfer Protocol (PTP) for data transfer will now appear in the Import window when directly connected to the computer
Improves system performance and smaller project sizes when working with Compound Clips
Clicking on a clip in the timeline selects the clip without moving the playhead. Option-clicking on a clip selects the clip and moves the playhead
Custom metadata views can be created and used as presets for exporting XML. Importing XML with custom metadata fields preserves data in Final Cut Pro
Ability to manually tag clips as anamorphic using the Anamorphic Override option in the Inspector
When duplicating an event or project where media resides on shared storage, only the links will be copied. This speeds up duplicating or moving events and projects to another editing station that is linked to the same shared media
Improves behavior when moving clips to different vertical positions in the timeline
Generators now support the 1.8:1 aspect ratio, which is used with a range of frame sizes
Video dissolves now default to the linear Video look instead of the Film look that includes some ease in and ease out
Ability to import SDII audio files

Final Cut Pro 10.0.5

Final Cut Pro 10.0.5 improves overall stability and is enhanced for the MacBook Pro (Retina, Mid 2012)
Fixes an issue in which changes were not properly saved when working off a SAN
Improves performance when switching between projects on a SAN
Fixes an issue which could lead to Multicam Clips losing their Roles after relaunching Final Cut Pro
Allows for YouTube uploads longer than 15 minutes
Correctly marks in and out points for spanned clips imported using the Sony Camera Import Plug-in PDZK-LT2

Final Cut Pro 10.0.4

Improves image quality and responsiveness of broadcast monitoring with compatible third-party PCIe and Thunderbolt I/O devices
Improves performance of multicam syncing and editing
Adds language support for Simplified Chinese
Adds a Share option for 1080p video on compatible iOS devices

Final Cut Pro 10.0.4 also addresses the following issues:

Assigns default audio channel setting for new projects to stereo
Includes multicam metadata in XML project export
Fixes an issue in which video superimposed over a background with an alpha channel could appear differently in Viewer before and after render
Fixes an issue that caused some titles to be rendered again after each application launch

Final Cut Pro 10.0.3

Multicam editing with automatic sync and support for mixed formats, mixed frame rates, and up to 64 camera angles
Advanced chroma keying with controls for color sampling and edge quality
Media relink for manual reconnect of projects and Events to new media
Ability to import and edit layered Photoshop graphics
XML 1.1 with support for primary color grades, effect parameters, and audio keyframes
Multiple improvements to the Color Board, including new key commands, editable numeric fields, and adjustable parameters that act like infinite sliders when dragged
Ability to reorder color corrections in the Inspector
Reveal in Event Browser shows clip range in the filmstrip while in List View
Batch offset for clip date and time
Ability to search text added to Favorite and Reject ranges
Beta version of broadcast monitoring with third-party PCIe and Thunderbolt I/O devices

Final Cut Pro 10.0.3 also improves overall stability and performance, and addresses the following issues:

Improves performance when editing text in titles
Improves performance when applying an effect from the Effect Browser
Improves keyframing behavior in the Inspector, with keyframes automatically added when moving to a new point in time and adjusting a parameter
Modifies transition behavior so that all newly added transitions use available media and maintain project length
Fixes an issue which affected audio solo while skimming
Resolves issues related to using Synchronize Clips with media containing a silent audio channel
Fixes an issue in which constant speed retiming was not properly applied when using the Paste Effects command

Final Cut Pro 10.0.2

Final Cut Pro 7 Compatibility

Fixes an issue in which a title may revert to the default font after restarting Final Cut Pro
Resolves an issue that could cause files recorded with certain third-party mobile devices to play back incorrectly
Addresses a stability issue caused by changing the start time on a Compound Clip

Final Cut Pro 10.0.1

Export audio and video stems as a single multitrack QuickTime movie or as separate files using Roles
Import and export XML to support third-party workflows
Place Projects and Events on Xsan to improve collaboration between editors
Set custom starting timecode for your projects
Add transitions to connected clips in a single step
Enable full-screen view in OS X Lion
Speed up delivery with GPU-accelerated export
Access the new Tribute theme, with four animated titles and a matching transition

This update also improves overall stability and performance, and addresses the following issues:

Adds the ability to import DSLR video from Aperture and iPhoto libraries through the Photos Browser
Adds the ability to eject camera cards while Final Cut Pro is open
Adds the ability to always use the startup volume or Time Machine volumes for media storage
Improves audio syncing performance and ability to sync different frame sizes and frame rates
Fixes an issue in which alpha channels in transitions were not properly preserved
Resolves an issue that could cause titles to accidentally move in the timeline
Improves the quality of video retiming when applying slow motion or when working with interlaced video
Fixes an issue in which custom ICC color profiles affected the image in the Viewer
Improves the performance and reliability of automatic saving

Screenshots

Description

Redesigned from the ground up, Final Cut Pro combines revolutionary video editing with powerful media organization and incredible performance to let you create at the speed of thought.
Revolutionary Video Editing
• The Magnetic Timeline uses advanced metadata for faster, easier editing
• Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
• Use Clip Connections to attach B-roll, sound effects, and music to the timeline
• Reduce clutter by grouping clips into a Compound Clip
• Cycle through different shots, graphics, or effects at one place in the timeline with Auditions
• Edit multicamera projects with automatic syncing based on audio waveforms and support for up to 64 camera angles
• Import and edit 360° equirectangular video in a wide range of formats and frame sizes
• Create, edit, and deliver closed captions from within Final Cut Pro
• Extend the capabilities of Final Cut Pro with third-party workflow extensions that open within the Final Cut Pro interface
Powerful Media Organization
• Organize your work within libraries for efficient media management and collaboration
• Content Auto-Analysis captures camera metadata and analyzes shots in the background
• Create and apply custom keywords or favorites on the fly as you select clip ranges
• Smart Collections dynamically organize content for you to quickly find any shot in a few clicks
Incredible Performance
• Final Cut Pro uses all the GPUs in your Mac for superior real-time playback performance and fast background rendering
• 64-bit architecture uses all the RAM in your system for larger projects and richer effects
• Background processing lets you keep working without interruption
• Work natively with a broad range of formats including ProRes, RED, XAVC, AVCHD, H.264, HEVC from DSLRs, and more
Compelling, Customizable Effects
• Beautifully animated, easily customizable 2D and 3D titles
• Change the look of titles, transitions, and effects using intuitive controls
• Choose from an extensive ecosystem of third-party FxPlug plug-ins with custom interfaces
Integrated Audio Editing
• Assign roles — including dialogue, music, effects, and custom choices — during import to easily track and organize your project
• Expand and edit multichannel audio files directly in the timeline
• Let Final Cut Pro repair audio problems such as hum, excessive background noise, and more
• Sync DSLR video with separate audio in a single step with instant audio waveform matching
Intuitive Color Grading
• Import, edit, and deliver video in standard color spaces, or in wide Rec. 2020 color space
• Improve the look of any clip with one-click Balance Color
• Manipulate color, saturation, and exposure with the Color Board
• Powerful color wheels and curves for precise adjustments with keying and masks
One-Step, Optimized Output
• Incredibly fast export for playback on Apple devices and upload to websites such as Vimeo and YouTube
• Use themed menus to author and burn a DVD or Blu-ray disc
• Export audio stems and multiple versions of a finished video using roles metadata
• Import and export XML for third-party workflows like color grading and sound mixing
System Requirements: macOS 10.13.6 or later, 4GB of RAM (8GB recommended for 4K editing, 3D titles, and 360° video editing), OpenCL-capable GPU graphics card or Intel HD Graphics 3000 or later, 256MB of VRAM (1GB recommended for 4K editing, 3D titles, and 360° video editing), 3.8GB of available disk space.
Some features require Internet access; fees may apply. Blu-ray recorder required for burning Blu-ray discs. Video output to VR headset requires Mac computer with discrete graphics running macOS High Sierra. 27-inch iMac with Radeon Pro 580 graphics recommended. HEVC and HEIF support require macOS High Sierra.

What’s New

• Detects media files that may be incompatible with future versions of macOS after Mojave and converts them to a compatible format
• Fixes an issue that could cause share destinations to disappear from the share menu after quitting Final Cut Pro
• Fixes an issue that could cause the workflow extension button to disappear when resizing the interface
• Fixes an issue in which the Select Clip command could incorrectly select the clip beneath the playhead
• Fixes an issue in which a successful share notification appears after the share operation was cancelled
• Fixes an issue in which frames saved to the frame browser in the Comparison Viewer may appear differently than they do in the viewer
• Fixes an issue in which frequency information for Hum Removal may not be visible in the audio inspector
• Fixes an issue in which relinked media may appear with black thumbnails in the browser and timeline
• Fixes an issue in which the share menu may be obscured behind the viewer when using Final Cut Pro in fullscreen mode
• Improves reliability when sharing video to YouTube
Introduced in Version 10.4.4
Workflow extensions
• Extend the capabilities of Final Cut Pro with third-party extensions that open directly within the app interface
• Drag and drop clips between the extension window, browser, and timeline
• Connect to existing third-party accounts to access projects, download media, and purchase content
• Deep integration allows extensions to control timeline playback, navigation, clip markers, and more
• Workflow extensions include tools for collaboration (Frame.io), stock media (Shutterstock), and asset management (CatDV)
Batch share
• Export and transcode multiple clips in the browser — with or without a camera LUT — for fast turnaround of dailies and other reviews
• Select and export multiple projects
• Combine batch sharing with bundles to encode multiple files to multiple formats in one step
• Monitor export progress in the background tasks window
Video noise reduction
• Apply the high-quality, drag-and-drop noise reduction effect to reduce grain and video noise
• Use simple controls to quickly adjust the look and amount of noise reduction
• Easily change processing order by dragging the noise reduction effect in the inspector
• The viewer shows the noise reduction effect when paused and disables the effect when skimming for optimal performance
• Apply 360° noise reduction to 360° video clips while preserving a flawless seam
Timecode window
• View project and source timecode in one or more floating timecode windows
• Resize the timecode window and drag any one to a second screen
• Choose to display clip names and role names
• Color coding in the timecode window matches the colors of roles in the timeline
Comparison Viewer
• Open the Comparison Viewer to reference other frames for consistent color grading across your project
• Quickly select the previous or next clip in the timeline as your reference frame
• Save any image to the frame browser to reference it later in the Comparison Viewer
Tiny Planet
• Select the Tiny Planet mapping option when adding 360º video to a non-360° project to create interesting spherical looks
• Animate the field of view to transition from a close up to a satellite view flying high above your footage
• Give 360° titles and generators a powerfully warped look by applying the Tiny Planet mapping option
Other new features
• View, edit, and deliver closed captions in the SRT format, which is used by a wide range of websites including Facebook
• Choose to burn closed captions into your video to ensure they appear at all times during playback
• When dragging in the timeline to select a secondary storyline, you can now select individual clips or the entire secondary storyline
• Instantly turn any photo or video into a comic book illustration using Comic filter then refine the comic book look with simple controls to adjust ink edges, fill, and smoothness

1K Ratings

Take the time to REALLY understand it and you will love it!

Final Cut Pro 7 Serial Number

I have been an editor/graphic designer for nearly 20 years and work in FCPX eight or more hours a day 5 days a week and, while not perfect in the sense that there are some features and functions I would really like to see added(the reason for only 4 stars), it is by far my favorite (and fastest to use) editing app. And I have used MANY over the years.
In my opinion it has the cleanest and most efficient media browser that really allows you to organize and see all of your media at a glance. You have to really take the time to understand and embrace (rather than fight) how to use the Magnetic timeline but once you do it will allow you to edit must faster and facilitate your creativity more than any other editing program. I recently had to use Premiere Pro for a couple of projects and I can tell you that it is only when you use and really understand FCPX and then have to return to the traditional editing paradigm that you realize how much more flexible the magnetic timeline is. Not to mention I don’t HAVE to render as much in FCPX.
I also love the ability to build templates/effects in motion that are so powerful and flexible to use in FCPX.

Don’t beleive all the negativity, a remarkable NLE

When the revamped Final Cut Pro X first dropped, it upset many longtime users. There were legitimate issues at the time, with many features missing and an entirely new program to learn for editors that knew FCP like the back of their hands. Add to this the fact that Apple handled the update inelegantly, and it was quite the firestorm. However, that’s not Final Cut Pro X today.
Today Final Cut Pro X is an outstanding NLE. I think it’s the best in the business. When it comes to Final Cut, and Apple in general, there is a lot of schadenfreude out there. It can be hard to filter out the legitimate complaints. Try FCPX and see for yourself that it is far, far from “iMovie for prosumers”. It’s a great program for prosumers who want more than iMovie can offer, no doubt, but it’s also a superb tool for pros. Just ask the many that rely on it daily to edit television and film projects.
BTW: When you see a review that says “basically iMovie”, “very limited functionality”, or “not for professionals”, you can trust the reivewer either doesn’t know how to use the product (likely) or has an agenda in favor of Adobe (also likely). Given the number of commercials, documentaries, and feature films that have been edited using FCPX in just the last few months, it’s safe to say it’s neither iMovie or very limited. Just check with some of Hollywood’s best filmmakers to see if it’s “not for pros”.

A New Powerhouse

Seven years ago I left Final Cut Pro as my preferred editing suite, as many editors did at the time, for Adobe Premiere. I recently revisited Final Cut Pro X when I heard great things about their 10.4 update and….wow! I am honestly speechless at the vast amount of improvements made to this software. The developers really have done a fantastic job with this latest version of FCPX and I am blown away at how much more efficient and optimized the editing process has become, especially when compared to Premiere.
I went ahead and jumped into this software after a few short tutorials and found myself saving about an hour of time when compared to a similar video I recently edited in Premiere and this was after just getting started! Further, the export time was a little more than twice as fast as Premiere! I could go on and on here (I may make a video about this) but I am intrigued and exited for the future of my editing process. I’m not ready to jump ship from Premiere just yet but I am definitely making both Premiere and Final Cut Pro a part of my workflow now.
HUGE thanks to the developers for making Final Cut Pro X 10.4 easy to navigate, fresh and exciting, streamlined, professional and making the combined performance of FCP and Macs a powerhouse of a editing workstation!

Information

Size

3 GB

Compatibility

macOS 10.13.6 or later, 64-bit processor

Languages